when the stars blink out of existence
and the night falls
when the stars blink out of existence
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"I think I talk about you like a man prays in a burning church."
M. Brown (via 5000letters)
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rfmmsd:

Artist:
Rodrigo Cifuentes 
“Más Dulce Que el Azúcar”
"Sweeter Than Sugar"
 Oil on Paper
 25” x 21.5”
 2014
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trashyprinces:

Let’s Turn On the Fucking Stars: Jan Aeberhard, originally photographed by Daniel Jaems.
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foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
foxmouth:

The Sky is Falling, 2014 | by Jörg Marx
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asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
asylum-art:

The Visionary Worlds of Agostino Arrivabene
Artist on Tumblr | Facebook
MIROIR Magazine:  There is a spiritual quality to your paintings, what inspires the visions you paint?
Agostino Arrivabene:  I think it’s a dimension of suspense and anticipation. Since I was a child, when I lost my mother prematurely, this loss placed me in front of the unknown, and that which abruptly takes life. For me, death, from the start, became synonymous with questions without answers and for a long time death became identified with a voyage without destination, a search towards the unknown. The certainty and conviction in myself grew roots towards that diaphragm that divides the real world from the spiritual. The diaphragm that separates and the vibrations necessary to give pictorial substance to my iconographic world. 
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Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”

Paintings by Francesco Garieri 
Saatchi Art
Autodidacte de l’art brut et contemporain . Art brut : ” indemne de toute culture artistique , sociale , et commerciale ….” Jean Dubuffet . ” Peindre pour être libre ”
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